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In this collection of three stories, an emotionally abused
wife finds comfort in the arms of her brother-in-law, a young
dancer undertakes an erotic and redemptive pilgrimage to Rome
involving live sex shows and nude photography, and a femme
fatale looks into a mirror as she recalls a sadomasochistic
love affair...
Try
imagining an erotic version of Alfred Hitchcock Presents,
and you'll have some idea of what this DVD series is like.
Only less well made. Producer Tinto Brass has little direct
involvement with these short films, apart from introducing
each one while puffing away characteristically on a cigar,
and making the occasional cameo appearance.
Though
the productions claim to have been directed in the "Tinto
Brass style", there is scant evidence of it here. Only in
A Magic Mirror is there any hint of Brass's eccentricity,
in the grotesque character of a brusque layabout husband (Ronaldo
Ravello), who spends much of his screen time lounging around
in a bath, like the captain of the B-Ark in The Hitchhiker's
Guide to the Galaxy. But, although this tale displays
the most humour in the entire collection, it also shows off
the least amount of bare flesh, which is surely another important
ingredient that the audience will be expecting.
Things
get sexier in Julia, the story from which this collection
takes its name, which includes some particularly explicit
and highly charged sex scenes. Unfortunately, the plot is
almost totally incomprehensible - something to do with a dancer
(Anna Biella) going to Rome, but wildly at odds with the description
on the back of the sleeve, which mentions a photographer's
three beautiful models. I counted two of them at the most.
This production is also blighted by amateurish editing, which
leaves several gaping holes in the soundtrack. Oh well, at
least this DVD is subtitled, which spares us from woeful English
dubbing of the type recently heard on Brass's Private.
The
final tale, I Am the Way You Want Me, is a very weird
and nasty little minx. In it, a naked woman (Fiorella Rubino)
sprawls around in her bathroom, mouthing various strange utterances
to camera, and doing erotic things to herself, such as shaving
with a fearsome-looking cutthroat razor (shudder). And that's
about it.
A
further disappointment is the lack of any extra features.
So, all in all, this DVD has left me feeling rather brassed
off!
Chris
Clarkson
2010 Ok.ru — Between Two Fires
Contrasts the warm human relationships inside the camp with the cold, unyielding immigration system. Why People Search for It on OK.ru
When the cold bureaucratic hand of the Swedish authorities threatens deportation back to the dangers of Belarus, Marta is pushed into an impossible, nightmare choice between romantic love and maternal survival. Core Themes and Social Commentary Cinematic Execution
The keyword “” is more than just a search query. It is a thread connecting a forgotten filmmaker, a niche horror community, and a Russian social network that has accidentally become the world’s largest archive of lost cinema.
Between Two Fires (2010) is a hidden gem of European cinema that deserves a wider audience. Directed with authentic passion by Agnieszka Łukasiak and anchored by a stunning performance from Magdalena Popławska, it is a raw, powerful, and heartbreaking drama about a mother’s impossible choice between love and survival. Between Two Fires 2010 Ok.ru
For those who wish to watch the film legally, the best options are:
To help me expand this analysis or guide you to similar media, please share:
The narrative centers on Marta (played by Magdalena Popławska), a 30-year-old woman living in Belarus. To protect her 10-year-old daughter, Anna, from a violent domestic situation and the looming threat of child trafficking, Marta makes the desperate decision to flee her home country. Contrasts the warm human relationships inside the camp
The mention of Ok.ru (Odnoklassniki) in relation to this film is significant. As one of Russia’s largest social networks, its video hosting became a primary hub for domestic television series and movies. Between Two Fires found a home there because it speaks directly to the everyman.
If you’d like, I can:
This is where enters the story.
Between Two Fires (2010) anticipated the modern wave of hyper-realistic political dramas. It proved that regional European television could deliver sophisticated, globally relevant narratives without relying on massive studio budgets. Its ongoing popularity on archival video networks proves that compelling writing and deep character development endure long after a show's original broadcast run ends.
Recommended for: Fans of Russian cinema, history buffs interested in the Belarusian front, and viewers who enjoy slow-burn dramatic tension over action.
It's possible that the film is available on OK.RU but not widely documented in global film databases. The content might be more accessible within Russian-speaking communities. It is a thread connecting a forgotten filmmaker, |
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£15.99
(Amazon.co.uk) |
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£15.49
(MVC.co.uk) |
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£15.49
(Streetsonline.co.uk) |
All prices correct at time of going to press.
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