Index Of Ramayan 1987 Now

The series made its lead actors into iconic figures who were often revered as gods in real life.

Rama leaves Chitrakoot; enters the deeper Dandakaranya forest; encounters with various sages.

The forest life, encounters with sages and demons, and the abduction of Sita by Ravana.

Sita drops her jewelry as clues; Ravana imprisons her in the Ashoka Vatika of Lanka. index of ramayan 1987

Hanuman leaping across the ocean; facing obstacles like Surasa and Sinhika; entering Lanka; locating Sita in the Ashoka Vatika; destroying the royal orchards; the death of Akshay Kumar; and Hanuman’s trial in Ravana’s court.

Shurpanakha incites Ravana in Lanka; Ravana enlists the magical demon Mareecha for revenge.

The destruction of Ashoka Vatika, the slaying of Akshay Kumar, and Hanuman’s capture. The series made its lead actors into iconic

Ramanand Sagar’s Ramayan (1987) remains a landmark achievement in Indian television history. When it first aired on Doordarshan, it brought life across the nation to a standstill. The series beautifully adapts the ancient epic, primarily drawing from Goswami Tulsidas’s Ramcharitmanas and Valmiki’s Ramayana .

Bharata returns from his maternal home, rejects his mother's actions, and refuses the crown.

King Dasharatha passes away from a broken heart. Sita drops her jewelry as clues; Ravana imprisons

The televised Ramayan (DD National, 1987–1988) reached an estimated 82% of Indian television viewers at its peak. However, analyzing its 78 episodes (each 25–30 minutes) requires more than plot summary. An —a systematic reference to episodes, characters, themes, and events—allows scholars to trace narrative recurrences, pacing, and didactic emphases. Unlike a simple table of contents, a proper index of Ramayan (1987) is a navigational and analytical tool. This paper proposes a tripartite index: (1) Chronological Episode Index (with arc markers), (2) Character Appearance Index , and (3) Thematic/Moral Index . Drawing on narratology (Genette, 1980) and television studies (Newcomb & Hirsch, 1983), we demonstrate how the index reveals the serial’s deliberate construction as a modern paath (recitation).

While the core story of the 1987 series concluded at Episode 78, public demand led Ramanand Sagar to direct a follow-up series titled (also known as Luv Kush ), which aired in 1989.