Le conte de Hans Christian Andersen, La Petite Sirène , a été adapté d'innombrables fois, mais peu de versions capturent la mélancolie et la poésie de l'œuvre originale aussi fidèlement que le film d'animation japonais de 1975, souvent recherché en ligne sous la requête "". Bien que sorti initialement en 1975 par Toei Doga, ce chef-d'œuvre a marqué les esprits au début des années 1980 lors de ses diffusions internationales et est devenu une rareté nostalgique.
The 1980 animated film La Petite Sirène (The Little Mermaid), often searched by nostalgic fans on platforms like OK.ru, is a unique and hauntingly beautiful adaptation of Hans Christian Andersen's classic fairy tale. Produced by Toei Animation as part of their World Masterpiece Fairy Tales series, this Japanese anime film—originally titled Andersen Dōwa: Ningyo Hime —stands out for its faithful adherence to the bittersweet and tragic nature of the original 1837 story, contrasting sharply with the later, more upbeat Disney version. A Faithful Adaptation of Andersen's Tragedy
Unlike the 1989 Disney adaptation that gave the world a upbeat musical with a happy ending, the 1980 film embraces the melancholic soul of Andersen's work. The protagonist, named Marina, is a curious and gentle mermaid who falls in love with a human prince after saving him from a shipwreck. la petite sirene -1980- ok.ru
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The Prince marries another woman, thinking she was the one who saved him. Le conte de Hans Christian Andersen, La Petite
: Desperate to be with him, she visits the Sea Witch. She trades her beautiful voice for human legs. The bargain comes with a painful condition: every step she takes will feel like walking on sharp knives, and if the Prince marries another, she will dissolve into sea foam.
If the prince marries another woman, Marina will not simply get her heart broken—she will dissolve into sea foam on the morning after his wedding. Produced by Toei Animation as part of their
The act of uploading this specific film to OK.ru is deeply ironic and appropriate. Andersen’s mermaid sacrifices her voice for a soul. The 1980 film, silenced by geographic and commercial obscurity, has had its voice restored by the anonymous collective of the internet. The grainy, slightly desaturated quality of the upload mirrors the film’s aesthetic; watching it on OK.ru feels less like streaming and more like finding a secret reel in an abandoned cinema.
The underwater world is rendered with soft watercolors and fluid movements, capturing a dreamy, ethereal atmosphere. This artistic choice amplifies the emotional weight of Marina’s isolation once she arrives on land, where the human world feels rigid and unfamiliar.
Upon its release in the United States in 1984, the film received a famously nuanced review from The New York Times . The review praised the film for not being the "usual film about a love affair between a 14-year-old girl and a 40-year-old man." It highlighted that Isabelle’s fixation had "less to do with mature love than with fairy tales," and that the relationship was "Isabelle's overworked imagination and Georges's inevitable appreciation of her flattery." The review noted the film’s gentle, naturalistic style and the "understated appeal" of lead actor Philippe Léotard. However, the critic ultimately found the film "somewhat pointless," arguing it found more importance in its own congruence with the Andersen fable than in anything else.
No discussion of "Malá mořská víla" would be complete without acknowledging its breathtaking musical score. Composed by Zdeněk Liška, the soundtrack is legendary among film music aficionados. Liška, a giant of Czech film music famous for his experimental and avant-garde scores, created a soundscape for the film that is as strange and beautiful as the story itself. His work for this film is often described as "gorgeous, sometimes profoundly haunting," and has been widely acclaimed as one of the most popular and influential scores of his career.