Yes - Close To The Edge -2013- -flac 24-192- Link

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Released in September 1972, Yes's fifth studio album, Close to the Edge , is widely considered the band's magnum opus and a defining moment for progressive rock. The album consists of just three sprawling tracks—the 18-minute title suite "Close to the Edge," "And You and I," and "Siberian Khatru"—yet within this 38-minute runtime, the band crafted a universe of sound, delivering a snapshot of an adventurous rock band at the peak of its powers, daring to push itself musically, both as individuals and as a unit. Steven Wilson, the acclaimed producer who would later remix the album, called it "a bona-fide A-level masterpiece".

Yes, one of the most iconic and influential progressive rock bands of all time, has been a benchmark for musical excellence for over five decades. Among their extensive discography, "Close to the Edge" stands out as a monumental achievement in the genre. Originally released in 1972, this album has been a favorite among fans and critics alike for its ambitious scope, intricate compositions, and the band's signature blend of accessibility and complexity. In 2013, "Close to the Edge" was remastered and released in high-definition FLAC 24-192 format, offering audiophiles and fans a chance to experience this masterpiece with unparalleled sonic fidelity.

A sprawling masterpiece that blends technical complexity with high-concept songwriting. Yes - Close To The Edge -2013- -FLAC 24-192-

Rolling Stone 500 Greatest Albums of All Time - Rated 445/500! Close to the Edge, Yes's follow-up to the 1971 smash album Fragile, Elusive Disc

A comparison between and his 5.1 surround sound mix of the same album.

The acoustic nuances in "And You and I" and the aggressive, biting electric solos in "Close to the Edge" are crisp and lifelike. To help you get the most out of

dizzying array of acoustic, electric, and pedal steel guitars.

While the human ear cannot directly hear frequencies up to 96kHz (half of the 192kHz sampling rate), the ultra-high sampling frequency eliminates the need for harsh brickwall anti-aliasing filters during playback. This preserves phase accuracy in the high frequencies, giving acoustic cymbals, acoustic guitar transients, and the upper registers of Jon Anderson’s vocals an organic, airy, three-dimensional realism. Track-by-Track High-Resolution Analysis 1. Close to the Edge (18:43)

Standard CDs are limited to 16-bit audio, which provides a dynamic range of 96 decibels (dB). A 24-bit depth expands this dynamic range to 144 dB. In Close to the Edge , this means the quietest, ambient tape loops of nature sounds at the beginning of the title track possess a blacker, quieter background noise floor, allowing the sudden, explosive entrance of Steve Howe’s guitar to strike with terrifying, lifelike impact. The album consists of just three sprawling tracks—the

Here is a breakdown of why this specific file format and remaster stand out.

Whether you're a lifelong devotee revisiting a classic or a new listener curious about the best possible version of this cornerstone of prog, seeking out is well worth the effort. Just be prepared to hear something familiar in a way you never have before.